Saxophone Videos

Angie Winans 12 year old son Ryan Caldwell Saxophone Solo - “He Looked Beyond My Faults And Saw My Needs”

Duration : 0:6:1

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Soul Zodiac
Cannonball Adderley

Duration : 0:4:26

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Technorati Tags: Adderley, Cannonball, Nat, scorpio, Soul, zodiac

Although it’s Stanley Turrentine’s sultry saxophone that makes this rare track memorable for me. It was actually released in August 1964 on Scott’s album “Everybody Loves A Lover” Impulse! Records AS-73. Personnel included Bob Cranshaw on bass, Otis Finch, drums. I dedicate this video to my lifelong best friend from Chicago(HPK), Ken L. Wesley. Happy, Peaceful, Prosperous New Year to ALL who pass this way:)

Duration : 0:5:3

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Kenny Williams playing at a fashion show at church theater - April 2008

Duration : 0:5:37

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rolly maus on yer view screen 4 secret messages….
Project Blue Beam Digital Transition Aquarius
Soul Zodiac dbl record
1972, Capitol Records Inc.
Cannonball Adderley, alto and soprano sax
Nat Adderley, cornet
Ernie Watts, Tenor sax, Flute, Tambourine
Mike Deasy, Guitar
George Duke, Fender electric piano
Walter Booker, String bass and guitar
Roy Mac Curdy, drums

Duration : 0:7:46

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souljazz(1972)lp:”salt song”

Duration : 0:9:48

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Technorati Tags: jazz, Soul, Stanley, Turrentine

Charlie Parker 18 from Brewood singing Ain’t No Sunshine Filmed at The Brewood Music Festival 2008
An impromptu Acapella performance before headliners 70s legends Showaddywaddy took to the stage.
Earlier Charlie had performed with support act The Copicats, with Tim Hubball, founder member of 80s band Soul Survivors.
I filmed this on Saturday 12th 2008 in the grounds of St Dominics school.. (More Festival stuff to come!)
17-year-old Charlotte is currently unsigned. For more information please contact me through YouTube or email. John Lowman. john@fineartsale.co.uk
See my other video’s including Charlie singing “Valerie” by Amy Winehouse and Mark Ronson, Kelly Clarkson’s “Beautiful Disaster”. Coming soon Amy Winehouse’s Back To Black.

Duration : 0:1:22

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Two songs from “The Gentle Side Of John Coltrane” album. “Nancy (With The Laughing Face)” and “Welcome”.

Duration : 0:8:49

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From the 1988Album “Love Confessions”

Biography by Craig Lytle
Miki Howard grew up in the church, where both of her parents were gospel singers. Her mother was also a member of the gospel group the Caravans and was acquainted with various entertainers. Howard’s mother would take her to the homes of various stars such as Aretha Franklin and Mavis Staples.

While still in elementary school, Howard moved to Los Angeles with her mom. At the age of 15, she performed in a teen pageant. After the show, she met Side Effect member Augie Johnson, who happened to be in the audience and began working with Howard creatively. After a period of time, Howard became a Side Effect member — upon the departure of Sylvia St. James. Howard’s tenure with the group lasted a few years. During this time, she also had two children by Johnson. In addition to singing with Side Effect, she did background vocals for Wayne Henderson, Roy Ayers, Stanley Turrentine, and several other artists.

After leaving Side Effect, Howard signed a deal with Atlantic. Her first hit for the label was the Billboard R&B Top Ten single “Come Share My Love.” She followed that with the remake of Glenn Miller’s 1940 hit “Imagination.” Her success continued with two more Top Ten singles, “Baby Be Mine” and “That’s What Love Is.” The latter was a duet with Gerald Levert and was the result of the creative union Howard formed with Marc Gordon and Levert. Howard and Levert later became romantically involved, and that romance spawned one of Howard’s biggest hits, “Love Under New Management.” The song was written during their brief love affair, but was released after their romance had dissolved.

In 1990, Howard signed a deal with Giant, which facilitated the release of her number one smash hit “Ain’t Nobody Like You.” Howard’s lifeline at Giant was cut short due to an altercation her husband had at the label. She also made an appearance as Billie Holiday in a club scene in the Spike Lee movie Malcom X. Howard continued to issue albums throughout the ’90s and early 2000s, a few of them heavy on — or wholly reliant upon — covers. Her releases during these years included Femme Fatale (1992), Shining Through (1993), Live Plus (1996), Can’t Count Me Out (1997), Three Wishes (2001), and Pillow Talk (2006).

Duration : 0:4:20

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Technorati Tags: 80s, Howard, jazzy, Miki, R&B, RGG, Slowjams, Soul

From his 1968 Capitol Records release titled “Accent On Africa”,…here is the GREAT Cannonball Adderley and his Quintet.

Duration : 0:3:38

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